Top 20 Interview Questions & Answers for Opera Singer Roles – 2025

Are you ready to showcase your talent as an opera singer? Be prepared to dazzle your potential employers with these 20 interview questions and answers that will demonstrate your vocal abilities, performance experience, and passion for the art of opera. Whether you're interviewing for a role in a grand opera house or a local theater, these questions cover all important aspects of the job.

General Questions

• 1. Can you tell us about your experience as an opera singer?
  As an opera singer, I have been trained in vocal techniques and studied various styles of opera. I have performed in local productions as well as grand opera houses, and have also participated in competitions and festivals.
• 2. What inspired you to become an opera singer?
  Since I was a child, I have always been fascinated by the beauty and power of opera. I knew I wanted to pursue it as a career after watching a live performance for the first time.
• 3. How do you handle stage fright?
  Stage fright is a common challenge for performers, but I have learned to manage it by practicing relaxation techniques and focusing on the music and character I am portraying.
• 4. Are you familiar with different styles of opera?
  Yes, I have training in the major styles of opera including Baroque, Classical, Romantic, and Modern. I am always open to learning and performing new styles as well.
• 5. How do you stay disciplined with your vocal practice?
  As with any instrument, practice is crucial to maintaining vocal strength and technique. I have a routine and schedule for daily vocal exercises and regularly meet with a vocal coach to improve and maintain my skills.

Technical Skills & Experience

• 6. Can you describe your vocal range?
  My vocal range covers from a soprano to a mezzo-soprano, with my most comfortable range being from G3 to C6.
• 7. How do you prepare for an audition?
  Before an audition, I familiarize myself with the music and lyrics, work on vocal techniques and character development, and also research the opera and its composer.
• 8. How do you approach a difficult aria or piece?
  Difficult arias require a lot of practice, both technically and musically. I break down the piece section by section and focus on mastering each part before putting it all together.
• 9. Do you have experience performing in different languages?
  Yes, as an opera singer, I have performed in Italian, French, German, and English. I am open to learning and performing in other languages as well.
• 10. Can you tell us about your experience working with a conductor and orchestra?
  Working with a conductor and orchestra is an integral part of a successful opera performance. I have experience rehearsing and performing with both, and am able to work closely with the conductor to ensure a cohesive and dynamic performance.

Behavioral Questions

• 11. How do you handle constructive criticism?
  Constructive criticism is an opportunity for growth and improvement. I take it positively and always strive to implement any feedback given to me.
• 12. Can you tell us about a time when you had to handle a difficult situation during a performance?
  During a performance, I once experienced technical difficulties with my microphone. I remained calm and focused, and was able to project my voice without the mic until the issue was resolved.
• 13. How do you maintain your vocal health?
  As a singer, taking care of my voice is essential. I stay hydrated, avoid caffeine and alcohol, and rest my voice when needed. I also consult with a vocal coach regularly to ensure I am using proper techniques.
• 14. How do you handle performing in front of a large audience?
  Performing in front of a large audience can be intimidating, but I have trained and performed in various venues and am able to adapt and deliver a memorable performance.
• 15. How do you handle conflicts or differences of opinion with fellow performers and creative team members?
  In any collaborative project, there may be conflicts or differences of opinion. I handle these situations by communicating openly and respectfully, and finding a compromise that benefits the overall production.

Situational Questions

• 16. What would you do if you were unable to hit a high note during a performance?
  If I am unable to hit a high note due to fatigue or other issues, I will make adjustments and try to sing it in a lower octave or reinterpret it in a different way without compromising the integrity of the piece.
• 17. How would you handle a negative review of your performance?
  While negative reviews can be discouraging, I take them as an opportunity to evaluate and improve myself. I would use the feedback constructively and strive to better my performance in the future.
• 18. What would you do if a fellow cast member fell ill and you had to take on their role at the last minute?
  If I had to take on another performer's role at the last minute, I would do my best to learn their part quickly and collaborate with the rest of the team to make the necessary adjustments for a successful performance.
• 19. How would you handle a technical malfunction during a performance?
  Technical malfunctions can happen at any time, so it's important to stay calm and think quickly. I would improvise and continue with the performance to the best of my ability, while also working with the technical team to resolve the issue.
• 20. What would you do if you were not selected for a role or production you really wanted?
  While it can be disappointing, I would not let it discourage me. Instead, I would continue to work on improving my skills and look for other opportunities that may arise in the future.